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I already survived this once [ota]
A starship never sleeps. Even the third watch, in what would be the wee hours of the morning in an equivalent planetside clock, functions enough to keep a capital starship under control. Which is to say, hundreds of people are going about their duties. But, a starship does have rhythms, and this shift represents the time when people are least active socially.
Which is exactly why Hugh Cambridge sits himself down in Ten-Forward now.
Because the nightmares are back.
They haven't been around for years. Oh, they'll rear up, one night in a very long while, usually aimless strung-out sequences, endless starship corridors, shaking lights and fires and ever-morphing enemy encounters. Cambridge's nightmares are never specific things, but they're not subtle, either. He's afraid of what's coming, just like he used to be afraid of what had already happened.
He rests his forehead on the bar after the second Scotch - the real stuff, not synthehol - and begins to breathe deep and quell his panic.
-
On another night, after another nightmare, he quells it in a different way.
Open the holodeck doors - they're not locked for privacy - and there's a studio, mirrors all along one wall. Cambridge dances with a single partner - female, lovely - in some pseudo-jazz number, something old-fashioned.
It's easy to see that he's trained, on first glance. His movements are precise and practiced, and he is flexible, strong enough to do lifts, jumps. But, next to a professional dancer, he wouldn't look very good. Technique or no, Cambridge isn't an artist of dance. He doesn't elevate the dance, doesn't make it his own. He just does it. It makes him an unusually good dancer among laypeople, but not much at all among dancers.
Doesn't matter to him. He's there to be distracted, not to show off.
Which is exactly why Hugh Cambridge sits himself down in Ten-Forward now.
Because the nightmares are back.
They haven't been around for years. Oh, they'll rear up, one night in a very long while, usually aimless strung-out sequences, endless starship corridors, shaking lights and fires and ever-morphing enemy encounters. Cambridge's nightmares are never specific things, but they're not subtle, either. He's afraid of what's coming, just like he used to be afraid of what had already happened.
He rests his forehead on the bar after the second Scotch - the real stuff, not synthehol - and begins to breathe deep and quell his panic.
-
On another night, after another nightmare, he quells it in a different way.
Open the holodeck doors - they're not locked for privacy - and there's a studio, mirrors all along one wall. Cambridge dances with a single partner - female, lovely - in some pseudo-jazz number, something old-fashioned.
It's easy to see that he's trained, on first glance. His movements are precise and practiced, and he is flexible, strong enough to do lifts, jumps. But, next to a professional dancer, he wouldn't look very good. Technique or no, Cambridge isn't an artist of dance. He doesn't elevate the dance, doesn't make it his own. He just does it. It makes him an unusually good dancer among laypeople, but not much at all among dancers.
Doesn't matter to him. He's there to be distracted, not to show off.
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"Oh. Hello!" As Will finally notices the familiar face, he calls the words across a mostly empty room, tone bright. "Up late as well? I thought I-" But he cuts himself off now, realising just a bit too late that Cambridge looks rather wretched. "Erm." He shifts uncomfortably. "Sorry. I probably shouldn't have interrupted."
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He turns, so he's leaning back against the bar. "Thought you'd...?"
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"Um." He shifts uncomfortably. "Well, I just...thought I'd be here alone, at this time of night." He pauses before venturing: "Are you all right?"
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He could, of course, be having a better one.
"Oh, please," he says, "you're timid now, after you got the brunt of me when I appeared?"
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But taking that as an invitation to pry, he added, "And at the risk of being rude, I have to admit, that's a terribly superficial list when it comes to the well-being of a human." He blinked. "Or whatever race you happen to be. I'm sure the statement still applies."
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He rubs at his temple. "And I said that I could be having a worse day," he says. "Not that I was well."
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He nods, and after a second's pause to consider whether this might qualify as too blunt, decides to go ahead with: "Yes, which is why it wasn't a very helpful answer." It's oddly liberating, he finds, to stop worrying for a moment about being accidentally rude. But he's also still concerned about Cambridge--and wondering just what it is that's caused him to be up at this time of night in such a sour mood. So, wondering what answer he might get if any, he adds, "What happened?"
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Verbal sparring is at least something.
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He might as well be talking about a computer problem, the tone he takes.
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He was trying to resist the temptation to try to ask more about what this incident was. He knew that sharing knowledge of the future like that couldn't possibly be allowed, but it was also rather terrifying to hear Cambridge refer to the near future like that.
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He's also sort of hoping the Enterprise crew will live up to their reputation and pull some insane solution out of a hat. He's not terribly impressed by what he's seen so far.
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The bigger problem, as far as Will could tell, would be that there was no telling how long it would take for the ship to return to a particular port for Cambridge. Meaning, if getting Q to come around was his only way home, it could prolong his stay here. But surely, Will thinks, that would be preferable to having to live a horrible event a second time.
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From his experience, major events are where a time traveller can most likely be found, so it sounds odd to him that they would be locked up for their presence at such a point. But either way, he's with Cambridge--he doesn't want him to end up locked up.
"If you need your, erm, situation kept under wraps?" he adds. "Mum's the word, as far as I'm concerned." Because Will might be a babbler, but he does know how to keep a secret when specifically told to.
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He shrugs. That ship has sailed, for him. He's detected.
"Once you are discovered," he says, "then the law of the time probably will do its best to figure out what you know, and how that can be used."
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And even if they do know, from his point of view, the Enterprise is currently full of knowledge, technology, and abilities from a variety of universes. He's not sure why Cambridge would be so certain that they'd target him more than any of the other potential resources they have access to.
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Actually, he probably is a bit more paranoid than is strictly warranted in this time period. The Federation is as close to a peaceful utopia now as it's ever been.
The problem is, if they knew what was coming in their future, they would already be going after the knowledge in his mind. The Dominion, the Borg.
"I don't know," he says. "I think this is already a timeline apart from the one I knew." What happens next has a level of unpredictability.
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