beverly crusher, md (
ethnobotany) wrote in
ten_fwd2016-02-03 05:57 pm
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Entry tags:
hello from the other side ( open )
New Orleans Open
Orient Express Open
Nothing has really been good for Beverly in months. She's had patches of wonderful, good things, but overall, since the day she left sickbay on the Enterprise-E to the Borg, nothing has gone well. Not overall.
And now, just when she thought she was managing her flashbacks and nightmares again, she woke up one morning to find Fatima gone. So the guilt has set in. And the worry. And everything else. Fatima was like a daughter to her and Beverly misses her with every fiber of her being. A part of her is so angry with Q, beyond angry, Beyond something simple. She has never liked him. Not even once.
But right now? Beverly Cheryl Howard Crusher is 1000% done with Q. If he leaves them alone today, it would still be too late.
So, here she is in the holodeck today. Most people will come across her sitting by a trashcan of fire in the middle of a back alley. She's instructed the holodeck to make the fire big, so it's pretty much a bonfire. A contained bonfire, but a bonfire nonetheless.
Fire is calming to her. She loves the flickering lights, the way it smells.
Fire helps her cope.
Fire is real. Even when it isn't.
Orient Express Open
If New Orleans isn't the destination of choice, a visitor might open the holodeck doors to find themselves on a train. Right now, it's empty, but that might change. Beverly herself is on the train, with her back facing the front of it.
That may or may not be intentionally symbolic.
Whatever the case, she's curled up on one of the seats, her legs tucked up and her head resting against the window as she watches the world go by. On the seat between her and the wall is a PADD, the one she's been trying to use since Deanna made her suggestion. For now, it's enough to watch and think. Maybe she'll turn the actual story on sometime.
Five more minutes.
Five more minutes to mourn, to watch the back of the train, her life.
Five more minutes to feel guilt that she isn't there with Fatima, that she knows what Fatima will go back to but she isn't there to help.
Five more minutes to wonder about the version of Beverly Crusher who should be in this timeline and to feel guilt about that, too.
Five more minutes to feel numb.
Orient Express
For her, people coming and going is old hat. She remembered people the Doctor was forced to forget. She grieved for them when he could not. But, she had her own regrets about this place. She hadn't gotten to see her Edwardian Doctor while he had been here nor Jack Harkness. She wishes she had.
She comes and sits down across from the doctor. Her voice was soft. More in explanation of her presence than to completely distract the other woman from her five minutes.
"There were many trains to take the name 'Orient Express'. The last one I was on was in space."
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"In space? Really? What was that one like?"
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"Well, it was in space and the rails were hyperspace ribbons. But overall, identical. Painstaking attention to detail. Except slightly bigger. Because, well, space needed to hold the equipment required to travel in space is bigger."
She looks confused and gestures to the PADD in the free seat.
"Which is strange, when you think about it. You can make an entire computer the size of a pad of paper, but can't figure out how to make engines any smaller than several decks - or train compartments, in this case."
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New Orleans
More so now than ever.
He enters the holodeck in his standard uniform, shoulders straight and countenance somber. The setting is not one he would have chosen, certainly, but he finds—much to his chagrin—that there is quite a lot about this Beverly Crusher he does not know.
(And yet, still, she is as familiar to him as a favored book, one whose pages are lovingly worn and creased, whose spine is never left to gather dust.)
It takes a few steps into the program for him to find her, sitting with her face to the flames. He watches for a moment before approaching, affecting the polite assurance of a ship's captain, but unable to completely rid his eyes of their friendly concern.
"I would say that this is an unusual choice of venue," he remarks, glancing around the alleyway. "It's certainly lacking in the charm of Bourbon Street."
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For right now, though, as she glances over at his very formal silhouette in the firelight, all she wants is a friend. She knows him, knows how he was at this stage of his life, knows well how much gentle nudging and outright pulling she'll have to do in order to get him to start relaxing. Better to start now.
"It was a leftover," she admits. "Fatima created the program for our... memorial, I guess. I decided I wanted to use it one last time in memory of her."
It is likely unsurprising that she is here now, if he pays any attention to the Displaced, which she has no doubt that he does. He also listens to her and she has told him before of Fatima. Perhaps not of what they have been through or that the young woman was like a daughter to her, but at least that they were close.
Eyeing the straight and somber way he holds himself, she half expects him to freeze that way. Instead of letting him, she opts to pat a space on the street right next to her. Dangerously close, yes, but that is the way of their relationship. Dangerously close.
"You don't have to stay standing the entire time, you know, Jean-Luc," she adds on, slipping the informal name in rather than a title. This is a time among best friends, not for a captain and his CMO. "I know you like firelight as much as I do."
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He purses his lips, nodding slowly.
"She has truly gone, then?" he asks, though Beverly is not mistaken in his attention to these details. He knows very well that Ms. Merali's name did not come up in the last census, and that was well before the ship made port. No, the question is instead intended the way most of their conversations are — dutifully polite, but compassionate underneath. She won't have imagined the sympathy in his voice, or the slight furrow in his brow that betrays his concern.
He had the pleasure of making Fatima's acquaintance, but briefly. As choice members of his command crew will point out, most of his interactions with the Displaced are brief, and not appropriately so. He's aware that Beverly was particularly fond of Fatima, and the tightness in her shoulders and around her mouth tells him that she is not only sorry to see the girl go, but angry about it. He can only imagine why.
He looks surprised, momentarily, by the invitation, but there is little hesitation before he steps up to her, straightening his uniform. He smiles a little tightly as he takes a seat.
"I had not intended to," he fusses, though she may have caught him out. His eyes drift to the trashcan, a flame of a different color than the one seated beside him, something in his expression relaxing into a distant, wistful look. "Yes, I am fond of a decent fire. There is a strange sense of satisfaction to be had in building a fire with one's own hands, using it to light one's way, to warm our bodies, to cook our meals."
A simple way. He does not say it aloud, but a simple life. There is romance in that.
He rests his forearm against one bent knee, leaning back upon the palm of his right hand. He looks down, though his focus is unmistakably on Beverly. "You may be the only one between us who is trained in the medical field, Doctor, but I'd like to think I can diagnose when something is wrong."
It isn't just Fatima, he knows that much. He had hoped that after some time here she would start to feel at home again, but it is becoming more clear to him every day just how very much has gone wrong in the years they've been apart.
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New Orleans
It brought up thoughts of his daughter, so he only managed a small smile as he came closer. "This seat taken?" He pointed to the area beside her where there wasn't a chair - but this was the holodeck, all he had to do was to ask the computer for one.
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"Not at all," she offers. "I hope you like fire. It seemed like that kind of a day."
But if it bothers him, she can tone it down. The beauties of the holodeck.
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"But fire makes you day better?" He sounded unsure about that. Candles, sure, but fire was a different beast. Even if it was in the holodeck where it couldn't do any damage.
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New Orleans
He's seen it plenty of times, on other soldiers, on his team-mates, and, even, staring back at him in the mirror on occasion. It's the look of someone who has been through too much.
He approaches, making sure his footsteps can be heard, making sure his approach is visible. He knows Dr. Crusher is a doctor, but... Well, you could never be too careful, right? He walks up to the fire, close to Beverly, holding out his hands, feeling the simulated warmth against his palms before rubbing his hands against each other.
"I'm always amazed that it's actually warm."
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No, today she is simply tense, worn, her face drawn more into a line than her normal amiable smile because it's better than breaking apart like glass on stone.
She does, however, appreciate the fact that he is loud in his approach and he doesn't make any sudden movements. Maybe someday she will be able to handle those on a day-to-day basis again. Her lips tilt slightly upwards as he enjoys the simulated warmth of the fire.
"I guess it's a lot to get used to, isn't it?" she comments quietly. "A friend of mine had trouble getting used to the replicators spitting out food." A lot of that was because Zelien had denied them a decent supply of food for weeks on end and Fatima had been a prisoner of COMPASS for longer than Beverly.
Orient Express
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But the councilors on her own version of this world had warned against that. Not that she cared what they thought, but she did not want those here thinking the same. Antisocial they called her. Old she called herself, though never aloud.
So she mastered herself and set off to find whoever was running the program. Perhaps they could be students for her class. No one had showed up the last time. The fire drew her. She understood holodeck, understood that no matter what she felt, the fire was not real. The heat was not real. But the light was. She secured her knapsack, feeling a box's edge press into the small of her back.
She had experience with unsmoking flame long before Starfleet raided her tomb.
She strode over and sat beside the other woman, waiting to see if she would be spoken to, if she would be asked to leave. If not, she would speak, starting the conversation herself. Until then, she made a meditation of the flames.
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"I take it you don't mind fire," she comments after a while.
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If you want me to cut this at any point, so she can react, let me know.
it works fine! :)
Awesome! That meditation became my primary one after reading the book. :D
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think this is a good place to fade? assume they enjoyed company for a while?
Works for me. :D
Orient Express
Beverly's been helping them, offering them advice, and there are things he'd like to talk over with her. That, though, isn't the main thing in Finnick's mind when he goes looking for her, though.
He's worried about her, and while maybe he doesn't know any particular reason he should be concerned, he also knows that after what Beverly's been through, it's not always as simple as there being a reason. If she's just busy, he'll leave it, but ... he has a feeling.
That's why he steps onto the holodeck she's on and pauses, just inside the door.
This setting, at lest, is vaguely familiar to him, though it's not one he cares for. He recognizes that it's a train, and though he's not familiar with its precise layout, the opulence reminds him of only one thing: the tribute trains to and from the Capitol.
So it takes him a moment to say her name, quietly.
"Beverly?"
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"I'm back here," she calls, sitting up and shifting so she can see him next.
The Orient Express has always been fascinating to her. Right now, it isn't running the story part of the program and that's all right. She's enjoying just sitting and watching the world pass her by.
"I didn't expect you to come in here."
She'd thought he was too busy and that was fine. He's got enough going on right now to worry about her for just one day.
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The tribute trains marked those trips to the Capitol, with all their gilded-cage glamor and opulence that drove the power of the Capitol even further home to the tributes and mentors by their stark contrast to life in the districts.
So he pauses, just inside the holographic carriage, for a moment before he takes in enough differences to make him able to move forward.
He does look a little unsettled as he wanders over to Beverly, though.
"Haven't seen you around much today."
He says it with no accusation in his words, and his tone is soft. Soft enough to suggest what he really means: that he and Annie had been worried.
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A little here, a little there
Fatima had been, the one time they had met, difficult, but he had seen in her a way that made him smile. And he had minded her wishes, and come not close at all.
Now, though, he wished he had, for he mourned her loss, not for himself, but for the one he was coming to care for more dearly. He had been a fool, and more than a fool.
For today, he was once again providing silent support, and hoping against hope, that it was enough.
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So, it is in Merlin's presence that she would throw another paper slip into the fire if they were in New Orleans. Instead, she's just enjoying the scenery of the Orient Express.
"I promise not to use your nightmare cure tonight," she jokes quietly, needing to bring some form of humor to a situation that is anything but.
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"But mayhap this evening, instead, I might give you another gift. Have you ever thought what it would be like to fly? To truly know, for a short time, at least, the freedom from land, and the sheer joy of it?" His words were teasing as he continued. "Unless heights might disturb you...?"
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Orient Express
She had intended on speaking, asking that question about some medical procedure she couldn't even think of now, but instead she walked forward and took a seat across from her. Something was decidedly wrong with her friend.
"Is this seat taken?" Grainne could recognize loss, and mourning, and remembered when she had been in those times... she had felt the loneliest and needed companionship most. Even if she was wrong, she would make this gesture. "I hope I'm not disturbing you, the door was open."
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So when Grainne enters her line of sight, she manages a smile and motions towards the seat opposite her. "Please. How are you?"
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